Two individuals, a priori opposed by society and its constructions, find themselves linked by an essential gesture: one helps the other, thus transcending antagonisms which, in another context, would have separated them (cf. the parable of the Good Samaritan).  The heart of the sculpture is the Red Crystal, a smooth and open space, contrasting with the roughness of the surrounding rock. This crystal, symbol of neutrality and mutual aid, is here both a base and a refuge. In the center, a void, a hollow space from which this unexpected meeting between the two protagonists emerges. The faces of the characters, deliberately simplified and unified, recall Michelangelo's unfinished sculptures. They reflect this idea of ​​a humanity in the making, not yet fully realized, but in the process of transformation. Simplification also evokes the union of a moment between two individuals. The details of the sculpture focus mainly on the arms and hands, to mark the gesture of support.  This work is intended to be timeless and universal. It invites us to reflect on our unconditional capacity to reach out to others. It is a tribute to the fragile but very real possibility of mutual aid despite everything.

        The red crystal is an invention which dates from 2005 but which is not widely used in the world because particularly in Europe people are very happy with the Red Cross, in Turkey the red crescents etc.. The new symbol is primarily used in regions where religious tensions are particularly pronounced, with Israel being a key example. Notably, the parable of the Good Samaritan is set in this very area. Today, the preference for this new symbol comes in place of the red Jewish star, which served as the equivalent of the Red Cross but carried significant religious connotations. The goal of the organization, however, is to remain entirely neutral.